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ROBBIE - Class-A Single Channel Mic Preamp image
 
(based on 1 ratings)
Brand: BLUE
Located in: Pro Audio, Preamps
Simplicity of design. Purity of sound. Introducing Robbie, Blue’s new Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into our line of award-winning microphones has been engineered into making Robbie one of the finest tube preamps available today. With no ICs and only the highest- quality discrete components from input to output, Robbie is one of the quietest (-131 dB EIN @ 50?) and most detailed (THD 0.006%) tube preamps available today. It features audiophile-grade ultra low noise metal film resistors and polystyrene capacitors, and provides the user with the best of both worlds: An electronically-balanced, fully discrete input stage, tube gain stage (ECC88 twin triode), and an electronically-balanced solid-state output stage. There is no switching crossover distortion anywhere in the completely balanced audio signal path. And if that’s not enough, Robbie achieves and amazing 34dB headroom before clipping!
Review Snapshot®
Avg. Customer Rating:
 
5 stars
(based on 1 review)
 
Classy, warm, clean preamp
By JonahVerified Purchaser from Seattle, WA on 12/31/2008
Pros:
Analog Tube Warmth, Clear Sound, DI Input Great for Synths, Easy To Use, Rich Full Sound
Cons:
Controls on Rear of Unit
Best Uses:
Professional Recording
Describe Yourself:
Professional Musician
Bottom Line:
Yes, I would recommend this to a friend

Comments about BLUE ROBBIE - Class-A Single Channel Mic Preamp:

The Robbie adds a noticeable roundness (in a good way) to recordings. I use the DI quite a bit. Here's one setup: I'll run a VSTi synth in Ableton Live and record it through the Robbie. The audio signal goes out from the RME DigiPAD's high quality DA converters to the Mackie 16420-VLZ mixer, routed to the Robbie DI, conveniently located on the front. I send the signal at a low volume and then use the Robbie's preamp to boost it, turning the volume knob a 3rd to halfway up. At this point the sound goes back in to the mixer from the Robbie and is routed to the main recording path into the RME DigiPAD's inputs (again, very nice A/D conversion), back into Ableton Live. I mention the A/D and D/A conversion as I would not recommend doing this with inferior audio interfaces, as it would deteriorate the sound. But in my case, it sounds lovely.

After recording it back in, I can compare the original VSTi track versus it being routed through the Robbie and it has a noticeable softening and roundness.

My next project is to playback the the left and right channels of a VSTi one at a time through the Robbie separately, recording them individually and then recombining later. In this way, I can get a stereo signal without having to buy two Robbies (however much I would like to!).

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